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Reviews for AND I AND SILENCE, Signature Theatre, New York

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“Fervently acted and gracefully directed by Caitlin McLeod…Wallace’s language has much rich, colloquial beauty”

David Cote, (Time Out, New York)

“Ms Wallace’s play has been given a typically first-class production by the Signature, with the director Caitlin McLeod”

Charles Isherwood (The New York Times)

“[Wallace’s] work is not the stuff of American commercial theatre. She could not have found a better New York home than the non-profit, off-Broadway Signature.”

★★★★ Four Stars (Financial Times)

“Under Caitlin McLeod’s direction the four actresses infuse Wallace’s work with deep feeling. [A] stark, elegiac drama.”

(The New Yorker)

“A triumphant drama! Delivers a gut level impact…Caitlin McLeod’s focused, simple production and a charismatic, committed quartet

Jason Clark (Entertainment Weekly)

“Heartbreaking! A politically potent historical drama…This intimate house seems to inspire directors and designers to real feats of creativity.”

Marilyn Stasio (Variety)

“The performances are excellent, and the direction by Caitlin McLeod insightful. There is a choreographic quality to it as the actors move with purpose and grace around their intimate playing space”

★★★★ Four Stars (Exeunt)

“You will be in awe of the sheer beauty of the text, in part poetic and lyrical and in part salty, earthy prose…[a] tough, tender and tragic story”

(Curtain Up)

The Malcontent at Sam Wanamaker Playhouse

Renaissance Genoa, and the sarcastic jester Malevole moves through its ducal court, dishing out his caustic commentary on the people attached to the city’s usurping duke: his lustful duchess, Aurelia; her lover Ferneze, and the vicious operator, Mendoza (the real power behind the throne). But this Malevole – this ‘malcontent’ – is not at all what he seems, for he is in fact Genoa’s rightful duke, bent on recovering his stolen birthright and exposing the filth and lies around him.

John Marston’s finest play was first performed in the Blackfriars playhouse by the Children of the Chapel, and later adopted and amplified by Shakespeare’s own company. With its obsession with lust, greed and violence, its dense Shakespearean allusion, Machiavellian villainy and savagely satirical comedy, The Malcontent is one of the masterpieces of the renaissance stage and perhaps the greatest Jacobean tragicomedy.

The Malcontent was performed by the Globe Young Players, a new company of talented 12 to 16-year-olds specially selected and trained by the Globe’s resident experts in the craft and performance of early modern drama.

Caitlin McLeod‘s direction brings out the best in her young charges…masterfully brings out the relationships and there are some gloriously entertaining scenes”
WhatsonStage
 
Caitlin McLeod’s production is full of precision and attention to detail…an ambitious take on a savagely cynical play”
The Telegraph
 
“…a lively and fast-moving production under director Caitlin McLeod…The vitality of the production often erupts into the auditorium, especially in a wild stag hunt that emerges from a stage trap to rush around the theatre….”
British Theater Guide